750 BCE) in which the Bronze Age styles were eventually replaced by the peplos and the chiton − the clothing we, in the modern day, most commonly associate with ancient Greece. This series of disasters brought down some of the greatest civilisations the world has ever known and heralded the Greek Dark Ages (c. 1100 BCE, a series of earthquakes, droughts, famines, wars, and the invasion of the mysterious Sea Peoples whom we know little about brought on the Bronze Age Collapse. When we look at the frescoes, it is easy to imagine the colourful Minoan dress Ariadne would have worn as she gave her magical string to Theseus to guide him through the labyrinth or the glorious Mycenaean armour Agamemnon would have sported as he led his troops into battle against the Trojans.īetween c. The Bronze Age is also known as the Heroic Age because it was thought to be the time in which mythical figures roamed the Earth. What is captivating is that these garments have the power to bring Greek myths to life. Their garments are more elaborate and intricate, and it has been argued that this indicates they played a more central role in Bronze Age religion (and possibly even politics) than Mycenaean women, who are often depicted with children and, consequently, greater familial and maternal responsibilities. That being said, during the Minoan period women were the focal point of religion represented as goddesses and priestesses at the forefront of ritual and ceremony. There is very little difference between the fashion styles of Minoan and Mycenaean women which suggests that the female role remained relatively similar throughout the Bronze Age as there was no need to substantially alter the practicality of the silhouette. The Akrotiri Boxer Fresco shows two young boys boxing, however, only the boy on the left is adorned with jewellery which may indicate that such items were symbols of wealth or status. They served as seals, effectively a prehistoric signature or identity marker that could be impressed into clay. The designs on gold signet rings held particular significance. Minoan men are also shown wearing hats with long, vibrant feathers protruding from their centre, and they accessorised with necklaces, bracelets, and ornamental bands that encircled their biceps. These garments were multicoloured with yellows, blues, and whites. Breechcloths, loincloths, and kilts were popular, especially when paired with a decorative codpiece. Like their female counterparts, they were not shy and enjoyed showing off their upper bodies which were well-muscled from competing in sports such as bull-leaping and boxing. Minoan men preferred to keep clothing to a minimum and are usually shown with a bare torso. ![]() ![]() Minoan men preferred to keep clothing to a minimum & are usually shown with a bare torso.
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